“One word, just one word from you, and I’m saved.”
“Oh, of course it’s nothing but humbug!” cried Gania, a little disturbed, however. “It’s all humbug; the young merchant was pleased to indulge in a little innocent recreation! I have heard something of Rogojin!”
| “No, I don’t--not at all! I hardly know anyone in Russia. Why, is that your name?” |
“Where--where?”
“Very well--never mind about me; but I shall not allow you to strike her!” he said, at last, quietly. Then, suddenly, he could bear it no longer, and covering his face with his hands, turned to the wall, and murmured in broken accents:
| At last he was wide awake. |
“Yes, yes--I must hurry away, I’m late! Look here, dears, let him write you something in your albums; you’ve no idea what a wonderful caligraphist he is, wonderful talent! He has just written out ‘Abbot Pafnute signed this’ for me. Well, _au revoir!_”
Nastasia came out of the house looking as white as any handkerchief; but her large dark eyes shone upon the vulgar crowd like blazing coals. The spectators’ cries were redoubled, and became more exultant and triumphant every moment. The door of the carriage was open, and Keller had given his hand to the bride to help her in, when suddenly with a loud cry she rushed from him, straight into the surging crowd. Her friends about her were stupefied with amazement; the crowd parted as she rushed through it, and suddenly, at a distance of five or six yards from the carriage, appeared Rogojin. It was his look that had caught her eyes.
When they reached the stairs again he added:
“You are too inquisitive,” remarked Evgenie Pavlovitch.
“It was only out of generosity, madame,” he said in a resonant voice, “and because I would not betray a friend in an awkward position, that I did not mention this revision before; though you heard him yourself threatening to kick us down the steps. To clear the matter up, I declare now that I did have recourse to his assistance, and that I paid him six roubles for it. But I did not ask him to correct my style; I simply went to him for information concerning the facts, of which I was ignorant to a great extent, and which he was competent to give. The story of the gaiters, the appetite in the Swiss professor’s house, the substitution of fifty roubles for two hundred and fifty--all such details, in fact, were got from him. I paid him six roubles for them; but he did not correct the style.”
“Comparatively to what?”
Muishkin frowned, and rose from his seat.
“As to the article, prince,” he said, “I admit that I wrote it, in spite of the severe criticism of my poor friend, in whom I always overlook many things because of his unfortunate state of health. But I wrote and published it in the form of a letter, in the paper of a friend. I showed it to no one but Burdovsky, and I did not read it all through, even to him. He immediately gave me permission to publish it, but you will admit that I might have done so without his consent. Publicity is a noble, beneficent, and universal right. I hope, prince, that you are too progressive to deny this?”
| “Ferdishenko--either tell us your story, or be quiet, and mind your own business. You exhaust all patience,” cuttingly and irritably remarked Nastasia Philipovna. |
It would be difficult to describe the animation and high spirits which distinguished the prince for the rest of the evening.
“Yes.”
“I take you as a good, honest woman, Nastasia Philipovna--not as Rogojin’s mistress.”
| The prince gave a short narrative of what we have heard before, leaving out the greater part. The two ladies listened intently. |
| “You must have forgotten Russia, hadn’t you?” |
She did not finish her indefinite sentence; she restrained herself in a moment; but it was enough.
| “What did she know?” cried the prince. |
“You were quite right to go away!” he said. “The row will rage there worse than ever now; and it’s like this every day with us--and all through that Nastasia Philipovna.”
“What, has she been here?” asked the prince with curiosity.
| Gania left the room in great good humour. The prince stayed behind, and meditated alone for a few minutes. At length, Colia popped his head in once more. |
“I was not going to express myself so. But how could you so blind her?”
| It was all very vague. Who had taken the letters, if letters there were? Probably Vera--and how could Lebedeff have got them? In all probability, he had managed to steal the present letter from Vera, and had himself gone over to Lizabetha Prokofievna with some idea in his head. So the prince concluded at last. |
The old woman continued to stare at him, but said nothing.
“I will explain matters to you. Five weeks ago I received a visit from Tchebaroff, your agent, Mr. Burdovsky. You have given a very flattering description of him in your article, Mr. Keller,” he continued, turning to the boxer with a smile, “but he did not please me at all. I saw at once that Tchebaroff was the moving spirit in the matter, and, to speak frankly, I thought he might have induced you, Mr. Burdovsky, to make this claim, by taking advantage of your simplicity.”
“How pale you have grown!” cried Aglaya in alarm.
“But, gentlemen, I assure you that you are quite astray,” exclaimed the prince. “You have published this article upon the supposition that I would never consent to satisfy Mr. Burdovsky. Acting on that conviction, you have tried to intimidate me by this publication and to be revenged for my supposed refusal. But what did you know of my intentions? It may be that I have resolved to satisfy Mr. Burdovsky’s claim. I now declare openly, in the presence of these witnesses, that I will do so.”
“You are laughing, I think? Why do you keep laughing at me?” said Hippolyte irritably to Evgenie Pavlovitch, who certainly was laughing.
And once more, that same evening, Aglaya mystified them all. Prince S. had returned, and Aglaya was particularly amiable to him, and asked a great deal after Evgenie Pavlovitch. (Muishkin had not come in as yet.)
To all this her mother replied that Alexandra was a freethinker, and that all this was due to that “cursed woman’s rights question.”
“Is father in?” he asked. Colia whispered something in his ear and went out.
While he feasted his eyes upon Aglaya, as she talked merrily with Evgenie and Prince N., suddenly the old anglomaniac, who was talking to the dignitary in another corner of the room, apparently telling him a story about something or other--suddenly this gentleman pronounced the name of “Nicolai Andreevitch Pavlicheff” aloud. The prince quickly turned towards him, and listened.
“Then I began to talk about faces, at least about the _expressions_ of faces, and said that Aglaya Ivanovna was nearly as lovely as Nastasia Philipovna. It was then I blurted out about the portrait--”
| “Besides, he’s quite a child; we can entertain him with a little hide-and-seek, in case of need,” said Adelaida. |
The prince’s tone was so natural and respectful that the general could not possibly suspect him of any insincerity.
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
| He tried to get upon his feet again, but the old man still restrained him, gazing at him with increasing perturbation as he went on. |
Both had risen, and were gazing at one another with pallid faces.
“Ah, there I am _really_ talented! I may say I am a real caligraphist. Let me write you something, just to show you,” said the prince, with some excitement.
When the widow hurried away to Pavlofsk, she went straight to Daria Alexeyevna’s house, and telling all she knew, threw her into a state of great alarm. Both ladies decided to communicate at once with Lebedeff, who, as the friend and landlord of the prince, was also much agitated. Vera Lebedeff told all she knew, and by Lebedeff’s advice it was decided that all three should go to Petersburg as quickly as possible, in order to avert “what might so easily happen.”
“Oh, but, positively, you know--a hundred thousand roubles!”
| “Then you came for her sake?” Aglaya’s voice trembled. |
“From the portrait!”
A row of orange and lemon trees and jasmines, planted in green tubs, stood on the fairly wide terrace. According to Lebedeff, these trees gave the house a most delightful aspect. Some were there when he bought it, and he was so charmed with the effect that he promptly added to their number. When the tubs containing these plants arrived at the villa and were set in their places, Lebedeff kept running into the street to enjoy the view of the house, and every time he did so the rent to be demanded from the future tenant went up with a bound.
But, of late, Totski had observed many strange and original features and characteristics in Nastasia, which he had neither known nor reckoned upon in former times, and some of these fascinated him, even now, in spite of the fact that all his old calculations with regard to her were long ago cast to the winds.
IV.
“Let go of it!” said Parfen, seizing from the prince’s hand a knife which the latter had at that moment taken up from the table, where it lay beside the history. Parfen replaced it where it had been.