“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“He was impaled on a stake in the time of Peter.”
The general was much astonished.

“Oh, they don’t come on frequently, besides, he’s a regular child, though he seems to be fairly educated. I should like you, if possible, my dears,” the general added, making slowly for the door, “to put him through his paces a bit, and see what he is good for. I think you should be kind to him; it is a good deed, you know--however, just as you like, of course--but he is a sort of relation, remember, and I thought it might interest you to see the young fellow, seeing that this is so.”

“I never thought of such a thing for a moment,” said the prince, with disgust.

“It’s quite a clear case,” said the hitherto silent Gania. “I have watched the prince almost all day, ever since the moment when he first saw Nastasia Philipovna’s portrait, at General Epanchin’s. I remember thinking at the time what I am now pretty sure of; and what, I may say in passing, the prince confessed to myself.”

“What did I want? Well, to begin with, it is good to meet a man like you. It is a pleasure to talk over my faults with you. I know you for one of the best of men... and then... then...”

“Oh, but it’s only the simple tale of an old soldier who saw the French enter Moscow. Some of his remarks were wonderfully interesting. Remarks of an eye-witness are always valuable, whoever he be, don’t you think so?”
The latter, with one thing and another, was now so disturbed and confused, that when, a couple of hours or so later, a message came from Colia that the general was ill, he could hardly take the news in.
“You must observe,” insisted the general, “that my experience was two years earlier.” “I am vile, vile; I know it!” cried Lebedeff, beating his breast with a contrite air. “But will not the general be too hospitable for you?” The old woman examined the prince from head to foot with great curiosity.
“And she is not guilty--oh God!--Every moment she bemoans and bewails herself, and cries out that she does not admit any guilt, that she is the victim of circumstances--the victim of a wicked libertine.
“When you are not with me I hate you, Lef Nicolaievitch. I have loathed you every day of these three months since I last saw you. By heaven I have!” said Rogojin. “I could have poisoned you at any minute. Now, you have been with me but a quarter of an hour, and all my malice seems to have melted away, and you are as dear to me as ever. Stay here a little longer.”
“Restrain your tongue!” she said. “I did not come here to fight you with your own weapons.

“On the contrary, I shall sit as far from it as I can. Thanks for the hint.”

“What? I have emeralds? Oh, prince! with what simplicity, with what almost pastoral simplicity, you look upon life!”
He himself, when relating the circumstances of the general’s illness to Lizabetha Prokofievna, “spoke beautifully,” as Aglaya’s sisters declared afterwards--“modestly, quietly, without gestures or too many words, and with great dignity.” He had entered the room with propriety and grace, and he was perfectly dressed; he not only did not “fall down on the slippery floor,” as he had expressed it, but evidently made a very favourable impression upon the assembled guests.
“I am vile, vile; I know it!” cried Lebedeff, beating his breast with a contrite air. “But will not the general be too hospitable for you?”
“Yes, that’s better,” said Adelaida; “the prince _learned to see_ abroad.” “I had a note,” said the prince.
“That same evening I stopped at a small provincial hotel, and it so happened that a dreadful murder had been committed there the night before, and everybody was talking about it. Two peasants--elderly men and old friends--had had tea together there the night before, and were to occupy the same bedroom. They were not drunk but one of them had noticed for the first time that his friend possessed a silver watch which he was wearing on a chain. He was by no means a thief, and was, as peasants go, a rich man; but this watch so fascinated him that he could not restrain himself. He took a knife, and when his friend turned his back, he came up softly behind, raised his eyes to heaven, crossed himself, and saying earnestly--‘God forgive me, for Christ’s sake!’ he cut his friend’s throat like a sheep, and took the watch.”
The prince sat silent once more. Aglaya did not seem to be joking; she was too angry for that.
The trip abroad might have been enjoyed later on by Mrs. Epanchin and her two remaining daughters, but for another circumstance.
“Half-past twelve. We are always in bed by one.”
There he lay on the carpet, and someone quickly placed a cushion under his head.
“No, not a bit of it,” said Ivan Petrovitch, with a sarcastic laugh.

“I rather think I pitched into you, too, didn’t I? Forgive me--do! Who is he, did you say? What prince? Muishkin?” she added, addressing Gania.

He jumped up from his chair in a fit of uncontrollable rage. Gania was very angry too.
She arranged her cloak with hands that trembled with anger as she waited for the “riff-raff” to go. The cab which Lebedeff’s son had gone to fetch a quarter of an hour ago, by Doktorenko’s order, arrived at that moment. The general thought fit to put in a word after his wife.
“Not the railways, oh dear, no!” replied Lebedeff, with a mixture of violent anger and extreme enjoyment. “Considered alone, the railways will not pollute the springs of life, but as a whole they are accursed. The whole tendency of our latest centuries, in its scientific and materialistic aspect, is most probably accursed.”

Nastasia seemed to Totski to have divined all this, and to be preparing something on her own account, which frightened him to such an extent that he did not dare communicate his views even to the general. But at times he would pluck up his courage and be full of hope and good spirits again, acting, in fact, as weak men do act in such circumstances.

“How ‘as he did yesterday’? What do you mean? What did he do yesterday?” asked Gania, in alarm.
All the Rogojin company were now collected in the drawing-room; some were drinking, some laughed and talked: all were in the highest and wildest spirits. Ferdishenko was doing his best to unite himself to them; the general and Totski again made an attempt to go. Gania, too stood hat in hand ready to go; but seemed to be unable to tear his eyes away from the scene before him.

Arrived at the church, Muishkin, under Keller’s guidance, passed through the crowd of spectators, amid continuous whispering and excited exclamations. The prince stayed near the altar, while Keller made off once more to fetch the bride.

Yes, agonizing. He remembered how he had suffered that first day when he thought he observed in her the symptoms of madness. He had almost fallen into despair. How could he have lost his hold upon her when she ran away from him to Rogojin? He ought to have run after her himself, rather than wait for news as he had done. Can Rogojin have failed to observe, up to now, that she is mad? Rogojin attributes her strangeness to other causes, to passion! What insane jealousy! What was it he had hinted at in that suggestion of his? The prince suddenly blushed, and shuddered to his very heart.
He sat down with these words, evidently intending to prolong his visit.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

Hippolyte himself sat quite unconscious of what was going on, and gazed around with a senseless expression.

“Of what? Apologizing, eh? And where on earth did I get the idea that you were an idiot? You always observe what other people pass by unnoticed; one could talk sense to you, but--”
There was another witness, who, though standing at the door motionless and bewildered himself, still managed to remark Gania’s death-like pallor, and the dreadful change that had come over his face. This witness was the prince, who now advanced in alarm and muttered to Gania:
“I wish at least _he_ would come and say something!” complained poor Lizabetha Prokofievna.

“You know we have hardly spoken to each other for a whole month. Ptitsin told me all about it; and the photo was lying under the table, and I picked it up.”

“There’s the money!... How dare you?... The money!”
“Why, it was yourself who advised me to bring him over!”
“Thoroughly honest, quite so, prince, thoroughly honest!” said Lebedeff, with flashing eyes. “And only you, prince, could have found so very appropriate an expression. I honour you for it, prince. Very well, that’s settled; I shall find the purse now and not tomorrow. Here, I find it and take it out before your eyes! And the money is all right. Take it, prince, and keep it till tomorrow, will you? Tomorrow or next day I’ll take it back again. I think, prince, that the night after its disappearance it was buried under a bush in the garden. So I believe--what do you think of that?”

The prince made up his mind that he would make a point of going there “as usual,” tonight, and looked feverishly at his watch.

There was a question to be decided--most important, but most difficult; so much so, that Mrs. Epanchin did not even see how to put it into words. Would the prince do or not? Was all this good or bad? If good (which might be the case, of course), _why_ good? If bad (which was hardly doubtful), _wherein_, especially, bad? Even the general, the paterfamilias, though astonished at first, suddenly declared that, “upon his honour, he really believed he had fancied something of the kind, after all. At first, it seemed a new idea, and then, somehow, it looked as familiar as possible.” His wife frowned him down there. This was in the morning; but in the evening, alone with his wife, he had given tongue again.

“Why, it would be a game to cry over--not to laugh at!” said the actress.

“She has not said ‘no,’ up to now, and that’s all. It was sure to be so with her. You know what she is like. You know how absurdly shy she is. You remember how she used to hide in a cupboard as a child, so as to avoid seeing visitors, for hours at a time. She is just the same now; but, do you know, I think there is something serious in the matter, even from her side; I feel it, somehow. She laughs at the prince, they say, from morn to night in order to hide her real feelings; but you may be sure she finds occasion to say something or other to him on the sly, for he himself is in a state of radiant happiness. He walks in the clouds; they say he is extremely funny just now; I heard it from themselves. They seemed to be laughing at me in their sleeves--those elder girls--I don’t know why.”

“Good heavens! And I very nearly struck him!”

There was nothing, however, of love-making in his talk. His ideas were all of the most serious kind; some were even mystical and profound.

VII.

Alexandra, who had seemed to wish to put in her word when the prince began, now sat silent, as though some sudden thought had caused her to change her mind about speaking.

By this time, to judge from appearances, poor Prince Muishkin had been quite forgotten in St. Petersburg. If he had appeared suddenly among his acquaintances, he would have been received as one from the skies; but we must just glance at one more fact before we conclude this preface.
Her character was absolutely changed. No more of the girlish alternations of timidity and petulance, the adorable naivete, the reveries, the tears, the playfulness... It was an entirely new and hitherto unknown being who now sat and laughed at him, and informed him to his face that she had never had the faintest feeling for him of any kind, except loathing and contempt--contempt which had followed closely upon her sensations of surprise and bewilderment after her first acquaintance with him.
“What have I done wrong now?” cried Colia. “What was the good of telling you that the prince was nearly well again? You would not have believed me; it was so much more interesting to picture him on his death-bed.”
The servant left the room. Vera was about to follow her, but returned and approached the prince with a preoccupied air.
The prince jumped up so furiously that Lebedeff ran towards the door; having gained which strategic position, however, he stopped and looked back to see if he might hope for pardon.
“You know of course why I requested this meeting?” she said at last, quietly, and pausing twice in the delivery of this very short sentence.
As to the few words which the general had let slip about Aglaya laughing at everybody, and at himself most of all--he entirely believed them. He did not feel the slightest sensation of offence; on the contrary, he was quite certain that it was as it should be.

Several times during the last six months he had recalled the effect which the first sight of this face had had upon him, when he only saw its portrait. He recollected well that even the portrait face had left but too painful an impression.

The prince thought a moment. Then he pulled out of his waistcoat pocket an untidy slip of paper, on which was scrawled:
“It is not true,” he repeated, decidedly; “you have just invented it!”
As the prince opened his mouth to answer, he was interrupted by the girl, whose sweet face wore an expression of absolute frankness.

“Yes, I did; I am thinking of it.”

“None--none whatever,” agreed the prince hastily. “I admit you are right there, but it was involuntary, and I immediately said to myself that my personal feelings had nothing to do with it,--that if I thought it right to satisfy the demands of Mr. Burdovsky, out of respect for the memory of Pavlicheff, I ought to do so in any case, whether I esteemed Mr. Burdovsky or not. I only mentioned this, gentlemen, because it seemed so unnatural to me for a son to betray his mother’s secret in such a way. In short, that is what convinced me that Tchebaroff must be a rogue, and that he had induced Mr. Burdovsky to attempt this fraud.”
“The night before the ball I met Peter, looking radiant. ‘What is it?’ I ask. ‘I’ve found them, Eureka!’ ‘No! where, where?’ ‘At Ekshaisk (a little town fifteen miles off) there’s a rich old merchant, who keeps a lot of canaries, has no children, and he and his wife are devoted to flowers. He’s got some camellias.’ ‘And what if he won’t let you have them?’ ‘I’ll go on my knees and implore till I get them. I won’t go away.’ ‘When shall you start?’ ‘Tomorrow morning at five o’clock.’ ‘Go on,’ I said, ‘and good luck to you.’
“But that evening and that night were sown the first seeds of my ‘last conviction.’ I seized greedily on my new idea; I thirstily drank in all its different aspects (I did not sleep a wink that night!), and the deeper I went into it the more my being seemed to merge itself in it, and the more alarmed I became. A dreadful terror came over me at last, and did not leave me all next day. “Can you? I’m sorry for it then, for I should have had a good laugh at you otherwise. Do break _something_ at least, in the drawing-room! Upset the Chinese vase, won’t you? It’s a valuable one; _do_ break it. Mamma values it, and she’ll go out of her mind--it was a present. She’ll cry before everyone, you’ll see! Wave your hand about, you know, as you always do, and just smash it. Sit down near it on purpose.” The prince’s further fate was more or less decided by Colia, who selected, out of all the persons he had met during the last six or seven months, Evgenie Pavlovitch, as friend and confidant. To him he made over all that he knew as to the events above recorded, and as to the present condition of the prince. He was not far wrong in his choice. Evgenie Pavlovitch took the deepest interest in the fate of the unfortunate “idiot,” and, thanks to his influence, the prince found himself once more with Dr. Schneider, in Switzerland.

“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”

“I seemed to know it--I felt it, when I was coming back to Petersburg,” continued the prince, “I did not want to come, I wished to forget all this, to uproot it from my memory altogether! Well, good-bye--what is the matter?” Heading this little band walked three ladies, two of whom were remarkably lovely; and there was nothing surprising in the fact that they should have had a large troop of admirers following in their wake.
“Oh, you are right again,” said the fair-haired traveller, “for I really am _almost_ wrong when I say she and I are related. She is hardly a relation at all; so little, in fact, that I was not in the least surprised to have no answer to my letter. I expected as much.”
“Mamma!” cried Alexandra, significantly.

“Oh, dear, no! Why, they don’t even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I’ve seen him at least four times, here at Pavlofsk, within the last week.”

“This, gentlemen, is a hundred thousand roubles,” said Nastasia Philipovna, addressing the company in general, “here, in this dirty parcel. This afternoon Rogojin yelled, like a madman, that he would bring me a hundred thousand in the evening, and I have been waiting for him all the while. He was bargaining for me, you know; first he offered me eighteen thousand; then he rose to forty, and then to a hundred thousand. And he has kept his word, see! My goodness, how white he is! All this happened this afternoon, at Gania’s. I had gone to pay his mother a visit--my future family, you know! And his sister said to my very face, surely somebody will turn this shameless creature out. After which she spat in her brother Gania’s face--a girl of character, that!”

“Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!”

“Never mind; by-and-by; yes, I am not feeling well,” said the prince impatiently, hardly listening. He had just heard Hippolyte mention his own name.

“Oh, that may be. He may have known her some time ago--two or three years, at least. He used to know Totski. But it is impossible that there should be any intimacy between them. She has not even been in the place--many people don’t even know that she has returned from Moscow! I have only observed her carriage about for the last three days or so.”

“‘Write, oh, write a letter to the Empress Josephine!’ I cried, sobbing. Napoleon started, reflected, and said, ‘You remind me of a third heart which loves me. Thank you, my friend;’ and then and there he sat down and wrote that letter to Josephine, with which Constant was sent off next day.”

“Oh, there is no reason, of course, and I suppose there is nothing in common between us, or very little; for if I am Prince Muishkin, and your wife happens to be a member of my house, that can hardly be called a ‘reason.’ I quite understand that. And yet that was my whole motive for coming. You see I have not been in Russia for four years, and knew very little about anything when I left. I had been very ill for a long time, and I feel now the need of a few good friends. In fact, I have a certain question upon which I much need advice, and do not know whom to go to for it. I thought of your family when I was passing through Berlin. ‘They are almost relations,’ I said to myself, ‘so I’ll begin with them; perhaps we may get on with each other, I with them and they with me, if they are kind people;’ and I have heard that you are very kind people!”

“Is it a note?”

“Do you know what, I had better not come at all tomorrow! I’ll plead sick-list and stay away,” said the prince, with decision.

Varia had risen from her place and had started to go upstairs to her mother; but at this observation of Gania’s she turned and gazed at him attentively.

“He is not in.”

“Yes, that wall of Meyer’s could tell a tale if it liked. There was no spot on its dirty surface that I did not know by heart. Accursed wall! and yet it is dearer to me than all the Pavlofsk trees!--That is--it _would_ be dearer if it were not all the same to me, now!

“Show it me, will you?”
“It is my mother’s. You get to her apartments by that passage.”
“Quite so--parties--you are very right,” said the prince. “I was reading a book about Napoleon and the Waterloo campaign only the other day, by Charasse, in which the author does not attempt to conceal his joy at Napoleon’s discomfiture at every page. Well now, I don’t like that; it smells of ‘party,’ you know. You are quite right. And were you much occupied with your service under Napoleon?”

“Since that evening I have been specially fond of donkeys. I began to ask questions about them, for I had never seen one before; and I at once came to the conclusion that this must be one of the most useful of animals--strong, willing, patient, cheap; and, thanks to this donkey, I began to like the whole country I was travelling through; and my melancholy passed away.”

The amiable and undoubtedly witty Prince N. could not but feel that he was as a sun, risen for one night only to shine upon the Epanchin drawing-room. He accounted them immeasurably his inferiors, and it was this feeling which caused his special amiability and delightful ease and grace towards them. He knew very well that he must tell some story this evening for the edification of the company, and led up to it with the inspiration of anticipatory triumph.
He rose from his seat in order to follow her, when a bright, clear peal of laughter rang out by his side. He felt somebody’s hand suddenly in his own, seized it, pressed it hard, and awoke. Before him stood Aglaya, laughing aloud.