“Ah, ah! here’s the climax at last, at half-past twelve!” cried Nastasia Philipovna. “Sit down, gentlemen, I beg you. Something is about to happen.”

“Of course it is a lunatic asylum!” repeated Aglaya sharply, but her words were overpowered by other voices. Everybody was talking loudly, making remarks and comments; some discussed the affair gravely, others laughed. Ivan Fedorovitch Epanchin was extremely indignant. He stood waiting for his wife with an air of offended dignity. Lebedeff’s nephew took up the word again.
Gania stood at the door like a block and looked on in silence, putting no obstacle in the way of their entrance, and ten or a dozen men marched in behind Parfen Rogojin. They were a decidedly mixed-looking collection, and some of them came in in their furs and caps. None of them were quite drunk, but all appeared to be considerably excited.
“Don’t be afraid,” he muttered, indistinctly, “though I have taken your cross, I shall not murder you for your watch.” So saying, he laughed suddenly, and strangely. Then in a moment his face became transfigured; he grew deadly white, his lips trembled, his eyes burned like fire. He stretched out his arms and held the prince tightly to him, and said in a strangled voice:
“It was Nastasia Philipovna,” said the prince; “didn’t you know that? I cannot tell you who her companion was.”
“I did not come to marry at all,” replied the prince.
“Is he married?”
“As lovely as _who?_” said Mrs. Epanchin. “As _Nastasia Philipovna?_ Where have you seen Nastasia Philipovna? What Nastasia Philipovna?”
He sat down with these words, evidently intending to prolong his visit. “Nastasia Philipovna, dear soul!” cried the actress, impatiently, “do be calm, dear! If it annoys you so--all this--do go away and rest! Of course you would never go with this wretched fellow, in spite of his hundred thousand roubles! Take his money and kick him out of the house; that’s the way to treat him and the likes of him! Upon my word, if it were my business, I’d soon clear them all out!”
The general was much astonished.
“You astonish me,” said the lady, gazing as before. “Fits, and hungry too! What sort of fits?”
Lizabetha Prokofievna frowned, but had not as yet grasped the subject, which seemed to have arisen out of a heated argument. Aglaya sat apart, almost in the corner, listening in stubborn silence.
The thing was decided in a hurry and with a certain amount of quite unnecessary excitement, doubtless because “nothing could be done in this house like anywhere else.”
“I know nothing about Evgenie Pavlovitch!” said the prince.
In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.
“I don’t know--perhaps--by morning it will be.”
When they reached the Gorohovaya, and came near the house, the prince’s legs were trembling so that he could hardly walk. It was about ten o’clock. The old lady’s windows were open, as before; Rogojin’s were all shut, and in the darkness the white blinds showed whiter than ever. Rogojin and the prince each approached the house on his respective side of the road; Rogojin, who was on the near side, beckoned the prince across. He went over to the doorway.

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.

“Oh, yes; I angered him--I certainly did anger him,” replied Rogojin. “But what puts me out so is my brother. Of course my mother couldn’t do anything--she’s too old--and whatever brother Senka says is law for her! But why couldn’t he let me know? He sent a telegram, they say. What’s the good of a telegram? It frightened my aunt so that she sent it back to the office unopened, and there it’s been ever since! It’s only thanks to Konief that I heard at all; he wrote me all about it. He says my brother cut off the gold tassels from my father’s coffin, at night ‘because they’re worth a lot of money!’ says he. Why, I can get him sent off to Siberia for that alone, if I like; it’s sacrilege. Here, you--scarecrow!” he added, addressing the clerk at his side, “is it sacrilege or not, by law?”
“Do you remember Ferdishenko?” he asked.
The general was, of course, repeating what he had told Lebedeff the night before, and thus brought it out glibly enough, but here he looked suspiciously at the prince out of the corners of his eyes.

“No, don’t read it!” cried Evgenie suddenly. He appeared so strangely disturbed that many of those present could not help wondering.

At last, about half-past ten, the prince was left alone. His head ached. Colia was the last to go, after having helped him to change his wedding clothes. They parted on affectionate terms, and, without speaking of what had happened, Colia promised to come very early the next day. He said later that the prince had given no hint of his intentions when they said good-bye, but had hidden them even from him. Soon there was hardly anyone left in the house. Burdovsky had gone to see Hippolyte; Keller and Lebedeff had wandered off together somewhere.

Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit.

But they all laughed on.

“Gentlemen, gentlemen, let me speak at last,” cried the prince, anxious and agitated. “Please let us understand one another. I say nothing about the article, gentlemen, except that every word is false; I say this because you know it as well as I do. It is shameful. I should be surprised if any one of you could have written it.”

“What a regular old woman I am today,” he had said to himself each time, with annoyance. “I believe in every foolish presentiment that comes into my head.”
“He is a strange boy, thoughtless, and inclined to be indiscreet.”
“Whom? What power?” asked her mother, crossly.

A strange thought passed through the prince’s brain; he gazed intently at Aglaya and smiled.

XI.
“Yes, quite so; very remarkable.”

“Why, look at him--look at him now!”

“No, no, excuse me, most revered prince,” Lebedeff interrupted, excitedly. “Since you must have observed yourself that this is no joke, and since at least half your guests must also have concluded that after all that has been said this youth _must_ blow his brains out for honour’s sake--I--as master of this house, and before these witnesses, now call upon you to take steps.”
All three of the Miss Epanchins were fine, healthy girls, well-grown, with good shoulders and busts, and strong--almost masculine--hands; and, of course, with all the above attributes, they enjoyed capital appetites, of which they were not in the least ashamed.
However, it was something to move on and know where he was going. A minute later he was still moving on, but without knowing anything. He could no longer think out his new idea. He tried to take an interest in all he saw; in the sky, in the Neva. He spoke to some children he met. He felt his epileptic condition becoming more and more developed. The evening was very close; thunder was heard some way off.

Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out:

“Well, they do heat them a little; but the houses and stoves are so different to ours.”
The lodgers had disappeared very quickly--Ferdishenko soon after the events at Nastasia Philipovna’s, while the prince went to Moscow, as we know. Gania and his mother went to live with Varia and Ptitsin immediately after the latter’s wedding, while the general was housed in a debtor’s prison by reason of certain IOU’s given to the captain’s widow under the impression that they would never be formally used against him. This unkind action much surprised poor Ardalion Alexandrovitch, the victim, as he called himself, of an “unbounded trust in the nobility of the human heart.”