“Away, out of the way!” cried Nastasia. “Make room, all of you! Gania, what are you standing there for? Don’t stand on ceremony. Put in your hand! There’s your whole happiness smouldering away, look! Quick!” “I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”

“I suppose that was it; I cannot explain it otherwise.”

“Don’t, Colia,--what is the use of saying all that?” cried the prince, rising and taking his hat.

The prince certainly had darted a rather piercing look at her, and now observed that she had begun to blush violently. At such moments, the more Aglaya blushed, the angrier she grew with herself; and this was clearly expressed in her eyes, which flashed like fire. As a rule, she vented her wrath on her unfortunate companion, be it who it might. She was very conscious of her own shyness, and was not nearly so talkative as her sisters for this reason--in fact, at times she was much too quiet. When, therefore, she was bound to talk, especially at such delicate moments as this, she invariably did so with an air of haughty defiance. She always knew beforehand when she was going to blush, long before the blush came.
“The owner was now some forty yards ahead of me, and was very soon lost in the crowd. I ran after him, and began calling out; but as I knew nothing to say excepting ‘hey!’ he did not turn round. Suddenly he turned into the gate of a house to the left; and when I darted in after him, the gateway was so dark that I could see nothing whatever. It was one of those large houses built in small tenements, of which there must have been at least a hundred.

“Here is another to whom you should apologize,” said the prince, pointing to Varia.

“Just so.”

“Then, you don’t know how, for it is a matter that needs practice. Now listen and learn; in the first place buy good powder, not damp (they say it mustn’t be at all damp, but very dry), some fine kind it is--you must ask for _pistol_ powder, not the stuff they load cannons with. They say one makes the bullets oneself, somehow or other. Have you got a pistol?”
“I thought Evgenie Pavlovitch was talking seriously,” said the prince, blushing and dropping his eyes.
As before, Rogojin walked in advance of his troop, who followed him with mingled self-assertion and timidity. They were specially frightened of Nastasia Philipovna herself, for some reason.
“I crossed to that corner and found a dirty dark staircase. I heard a man mounting up above me, some way higher than I was, and thinking I should catch him before his door would be opened to him, I rushed after him. I heard a door open and shut on the fifth storey, as I panted along; the stairs were narrow, and the steps innumerable, but at last I reached the door I thought the right one. Some moments passed before I found the bell and got it to ring.
“Nastasia Philipovna!” cried the prince. “No--no, impossible!” said Evgenie, rising.
“Well, and did you like it very much? Was it very edifying and instructive?” asked Aglaya.
“It seems to me that you have been too painfully impressed by the news of what happened to your good benefactor,” said the old dignitary, kindly, and with the utmost calmness of demeanour. “You are excitable, perhaps as the result of your solitary life. If you would make up your mind to live more among your fellows in society, I trust, I am sure, that the world would be glad to welcome you, as a remarkable young man; and you would soon find yourself able to look at things more calmly. You would see that all these things are much simpler than you think; and, besides, these rare cases come about, in my opinion, from ennui and from satiety.”
“Well, and did you like it very much? Was it very edifying and instructive?” asked Aglaya.

“Are you in love with her?”

“I would much rather not, just now,” said the prince, a little disturbed and frowning slightly.

Alexandra now joined in, and it looked as though the three sisters were going to laugh on for ever.

Everyone seemed to be speaking prophetically, hinting at some misfortune or sorrow to come; they had all looked at him as though they knew something which he did not know. Lebedeff had asked questions, Colia had hinted, and Vera had shed tears. What was it?
“Yes, it shows delicacy and intelligence on your part.”
“No, it disappeared from under the chair in the night.”

“I knew you would be at that hotel,” he continued, just as men sometimes commence a serious conversation by discussing any outside subject before leading up to the main point. “As I entered the passage it struck me that perhaps you were sitting and waiting for me, just as I was waiting for you. Have you been to the old lady at Ismailofsky barracks?”

The whole of Rogojin’s being was concentrated in one rapturous gaze of ecstasy. He could not take his eyes off Nastasia. He stood drinking her in, as it were. He was in the seventh heaven of delight.
“But, gentlemen, I assure you that you are quite astray,” exclaimed the prince. “You have published this article upon the supposition that I would never consent to satisfy Mr. Burdovsky. Acting on that conviction, you have tried to intimidate me by this publication and to be revenged for my supposed refusal. But what did you know of my intentions? It may be that I have resolved to satisfy Mr. Burdovsky’s claim. I now declare openly, in the presence of these witnesses, that I will do so.”

“Do not despair. I think we may say without fear of deceiving ourselves, that you have now given a fairly exact account of your life. I, at least, think it would be impossible to add much to what you have just told me.”

“How pale you have grown!” cried Aglaya in alarm.
She laughed, but she was rather angry too.

“Do you think yourself my master, that you try to keep me under lock and key like this?” said the prince to Lebedeff. “In the country, at least, I intend to be free, and you may make up your mind that I mean to see whom I like, and go where I please.”

“But what have I done? What is his grievance?” asked Hippolyte, grinning.
“Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!”

The prince observed that he was trembling all over.

Besides this, before they had been married half a year, the count and his friend the priest managed to bring about a quarrel between Aglaya and her family, so that it was now several months since they had seen her. In a word, there was a great deal to say; but Mrs. Epanchin, and her daughters, and even Prince S., were still so much distressed by Aglaya’s latest infatuations and adventures, that they did not care to talk of them, though they must have known that Evgenie knew much of the story already.

“Nothing--of course! That’s the best answer. Is it the case that you are going to live in his house?”

“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”

“We have evidence. In the first place, his mysterious disappearance at seven o’clock, or even earlier.”

“I dare say I should be--much alarmed!”
At all events when, after many hours, the door was opened and people thronged in, they found the murderer unconscious and in a raging fever. The prince was sitting by him, motionless, and each time that the sick man gave a laugh, or a shout, he hastened to pass his own trembling hand over his companion’s hair and cheeks, as though trying to soothe and quiet him. But alas! he understood nothing of what was said to him, and recognized none of those who surrounded him. “It is accursed, certainly accursed!” replied the clerk, vehemently.
“Oh,” cried the prince, “I have often thought that! Why, I know of a murder, for the sake of a watch. It’s in all the papers now. But if some writer had invented it, all the critics would have jumped down his throat and said the thing was too improbable for anything. And yet you read it in the paper, and you can’t help thinking that out of these strange disclosures is to be gained the full knowledge of Russian life and character. You said that well, general; it is so true,” concluded the prince, warmly, delighted to have found a refuge from the fiery blushes which had covered his face.

“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”

XV.
“But what have I done? What is his grievance?” asked Hippolyte, grinning.
“No, no, no, can’t _bear_ him, I can’t _bear_ your young man!” cried Aglaya, raising her head. “And if you dare say that _once_ more, papa--I’m serious, you know, I’m,--do you hear me--I’m serious!”
VI.

He did not finish his sentence, for at this moment Ferdishenko pushed a chair up from behind, and the general, not very firm on his legs, at this post-prandial hour, flopped into it backwards. It was always a difficult thing to put this warrior to confusion, and his sudden descent left him as composed as before. He had sat down just opposite to Nastasia, whose fingers he now took, and raised to his lips with great elegance, and much courtesy. The general had once belonged to a very select circle of society, but he had been turned out of it two or three years since on account of certain weaknesses, in which he now indulged with all the less restraint; but his good manners remained with him to this day, in spite of all.