Not finding the prince on his death-bed, Lizabetha Prokofievna had been misled by his appearance to think him much better than he was. But his recent illness, the painful memories attached to it, the fatigue of this evening, the incident with “Pavlicheff’s son,” and now this scene with Hippolyte, had all so worked on his oversensitive nature that he was now almost in a fever. Moreover, a new trouble, almost a fear, showed itself in his eyes; he watched Hippolyte anxiously as if expecting something further.
| But there was another question, which terrified him considerably, and that was: what was he going to do when he _did_ get in? And to this question he could fashion no satisfactory reply. |
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
The prince hastened to apologize, very properly, for yesterday’s mishap with the vase, and for the scene generally.
| “Out with it then, damn it! Out with it at once!” and Gania stamped his foot twice on the pavement. |
The heavy curtain was drawn now, and it was very dark. The bright Petersburg summer nights were already beginning to close in, and but for the full moon, it would have been difficult to distinguish anything in Rogojin’s dismal room, with the drawn blinds. They could just see one anothers faces, however, though not in detail. Rogojin’s face was white, as usual. His glittering eyes watched the prince with an intent stare.
| “Are you a patient man, prince? I ask out of curiosity,” said Mrs. Epanchin. |
| The prince took down the chain and opened the door. He started back in amazement--for there stood Nastasia Philipovna. He knew her at once from her photograph. Her eyes blazed with anger as she looked at him. She quickly pushed by him into the hall, shouldering him out of her way, and said, furiously, as she threw off her fur cloak: |
“Run away from home?” cried the prince.
| “Excuse me, Nastasia Philipovna,” interrupted the general, with chivalric generosity. “To whom are you speaking? I have remained until now simply because of my devotion to you, and as for danger, I am only afraid that the carpets may be ruined, and the furniture smashed!... You should shut the door on the lot, in my opinion. But I confess that I am extremely curious to see how it ends.” |
“Neither during my illness nor at any previous time had I ever seen an apparition;--but I had always thought, both when I was a little boy, and even now, that if I were to see one I should die on the spot--though I don’t believe in ghosts. And yet _now_, when the idea struck me that this was a ghost and not Rogojin at all, I was not in the least alarmed. Nay--the thought actually irritated me. Strangely enough, the decision of the question as to whether this were a ghost or Rogojin did not, for some reason or other, interest me nearly so much as it ought to have done;--I think I began to muse about something altogether different. For instance, I began to wonder why Rogojin, who had been in dressing-gown and slippers when I saw him at home, had now put on a dress-coat and white waistcoat and tie? I also thought to myself, I remember--‘if this is a ghost, and I am not afraid of it, why don’t I approach it and verify my suspicions? Perhaps I am afraid--’ And no sooner did this last idea enter my head than an icy blast blew over me; I felt a chill down my backbone and my knees shook.
| Yet all the others were similarly affected. The girls were uncomfortable and ashamed. Lizabetha Prokofievna restrained her violent anger by a great effort; perhaps she bitterly regretted her interference in the matter; for the present she kept silence. The prince felt as very shy people often do in such a case; he was so ashamed of the conduct of other people, so humiliated for his guests, that he dared not look them in the face. Ptitsin, Varia, Gania, and Lebedeff himself, all looked rather confused. Stranger still, Hippolyte and the “son of Pavlicheff” also seemed slightly surprised, and Lebedeff’s nephew was obviously far from pleased. The boxer alone was perfectly calm; he twisted his moustaches with affected dignity, and if his eyes were cast down it was certainly not in confusion, but rather in noble modesty, as if he did not wish to be insolent in his triumph. It was evident that he was delighted with the article. |
“Come!”
“Never come near my house again!” cried Mrs. Epanchin, pale with rage. “Don’t let me see as much as a _shadow_ of you about the place! Do you hear?”
He knew well that Nastasia thoroughly understood him and where to wound him and how, and therefore, as the marriage was still only in embryo, Totski decided to conciliate her by giving it up. His decision was strengthened by the fact that Nastasia Philipovna had curiously altered of late. It would be difficult to conceive how different she was physically, at the present time, to the girl of a few years ago. She was pretty then... but now!... Totski laughed angrily when he thought how short-sighted he had been. In days gone by he remembered how he had looked at her beautiful eyes, how even then he had marvelled at their dark mysterious depths, and at their wondering gaze which seemed to seek an answer to some unknown riddle. Her complexion also had altered. She was now exceedingly pale, but, curiously, this change only made her more beautiful. Like most men of the world, Totski had rather despised such a cheaply-bought conquest, but of late years he had begun to think differently about it. It had struck him as long ago as last spring that he ought to be finding a good match for Nastasia; for instance, some respectable and reasonable young fellow serving in a government office in another part of the country. How maliciously Nastasia laughed at the idea of such a thing, now!
The latter, amazed at her conduct, began to express his displeasure; but he very soon became aware that he must change his voice, style, and everything else, with this young lady; the good old times were gone. An entirely new and different woman sat before him, between whom and the girl he had left in the country last July there seemed nothing in common.“I don’t mean that I am going to leave your house,” he continued, still gasping and coughing. “On the contrary, I thought it absolutely necessary to come and see you; otherwise I should not have troubled you. I am off there, you know, and this time I believe, seriously, that I am off! It’s all over. I did not come here for sympathy, believe me. I lay down this morning at ten o’clock with the intention of not rising again before that time; but I thought it over and rose just once more in order to come here; from which you may deduce that I had some reason for wishing to come.”
| Many of our young women have thought fit to cut their hair short, put on blue spectacles, and call themselves Nihilists. By doing this they have been able to persuade themselves, without further trouble, that they have acquired new convictions of their own. Some men have but felt some little qualm of kindness towards their fellow-men, and the fact has been quite enough to persuade them that they stand alone in the van of enlightenment and that no one has such humanitarian feelings as they. Others have but to read an idea of somebody else’s, and they can immediately assimilate it and believe that it was a child of their own brain. The “impudence of ignorance,” if I may use the expression, is developed to a wonderful extent in such cases;--unlikely as it appears, it is met with at every turn. |
“The children of the nineteenth century, and their parents--” began the general, again.
| “I have told you already, that I will not go away until I have got what I ask. Why are you smiling, prince? You look as if you disapproved of me.” |
“Halloa! what’s this now?” laughed Rogojin. “You come along with me, old fellow! You shall have as much to drink as you like.”
| “You told her that?” |
| Lebedeff ran up promptly to explain the arrival of all these gentlemen. He was himself somewhat intoxicated, but the prince gathered from his long-winded periods that the party had assembled quite naturally, and accidentally. |
He could not say how long he sat there. It grew late and became quite dark.
“And she is not guilty--oh God!--Every moment she bemoans and bewails herself, and cries out that she does not admit any guilt, that she is the victim of circumstances--the victim of a wicked libertine.
“Do not distress yourself, Aglaya Ivanovitch,” he answered calmly; “your mother knows that one cannot strike a dying man. I am ready to explain why I was laughing. I shall be delighted if you will let me--”
“Rogojin? No, no, my good fellow. I should strongly recommend you, paternally,--or, if you prefer it, as a friend,--to forget all about Rogojin, and, in fact, to stick to the family into which you are about to enter.”
“Afraid of _you?_” asked Aglaya, beside herself with naive amazement that the other should dare talk to her like this.
| On the other hand, the prince, although he had told Lebedeff,--as we know, that nothing had happened, and that he had nothing to impart,--the prince may have been in error. Something strange seemed to have happened, without anything definite having actually happened. Varia had guessed that with her true feminine instinct. |
“But Nastasia Philipovna seems to me to be such a _sensible_ woman, and, as such, why should she run blindly into this business? That’s what puzzles me so,” said the prince.
Aglaya alone seemed sad and depressed; her face was flushed, perhaps with indignation.
Nastasia Philipovna gazed at him with a haughty, ironical expression of face; but when she glanced at Nina Alexandrovna and Varia, and from them to Gania, she changed her tone, all of a sudden.
“I have not been in love,” said the prince, as quietly and seriously as before. “I have been happy in another way.”