“I beg your pardon,” said the prince, going up to Burdovsky. “I have done you a great wrong, but I did not send you that money as a charity, believe me. And now I am again to blame. I offended you just now.” (The prince was much distressed; he seemed worn out with fatigue, and spoke almost incoherently.) “I spoke of swindling... but I did not apply that to you. I was deceived .... I said you were... afflicted... like me... But you are not like me... you give lessons... you support your mother. I said you had dishonoured your mother, but you love her. She says so herself... I did not know... Gavrila Ardalionovitch did not tell me that... Forgive me! I dared to offer you ten thousand roubles, but I was wrong. I ought to have done it differently, and now... there is no way of doing it, for you despise me...” Another guest was an elderly, important-looking gentleman, a distant relative of Lizabetha Prokofievna’s. This gentleman was rich, held a good position, was a great talker, and had the reputation of being “one of the dissatisfied,” though not belonging to the dangerous sections of that class. He had the manners, to some extent, of the English aristocracy, and some of their tastes (especially in the matter of under-done roast beef, harness, men-servants, etc.). He was a great friend of the dignitary’s, and Lizabetha Prokofievna, for some reason or other, had got hold of the idea that this worthy intended at no distant date to offer the advantages of his hand and heart to Alexandra.
“Well, I really have thought something of the sort now and then, especially when just dozing off,” laughed the prince. “Only it is the Austrians whom I conquer--not Napoleon.”

Totski took his hat and rose to go. He and the general exchanged glances, making a private arrangement, thereby, to leave the house together.

Princess Bielokonski, as she drove away on this eventful evening, took occasion to say to Lizabetha Prokofievna:
“I shan’t ever be a Rothschild, and there is no reason why I should,” he added, smiling; “but I shall have a house in the Liteynaya, perhaps two, and that will be enough for me.” “Who knows but what I may have three!” he concluded to himself; but this dream, cherished inwardly, he never confided to a soul.
He shuddered and stopped; she seized his hand and pressed it frenziedly.

Some of the passengers by this particular train were returning from abroad; but the third-class carriages were the best filled, chiefly with insignificant persons of various occupations and degrees, picked up at the different stations nearer town. All of them seemed weary, and most of them had sleepy eyes and a shivering expression, while their complexions generally appeared to have taken on the colour of the fog outside.

She was, above all distressed by the idea that her daughters might grow up “eccentric,” like herself; she believed that no other society girls were like them. “They are growing into Nihilists!” she repeated over and over again. For years she had tormented herself with this idea, and with the question: “Why don’t they get married?”
She marched towards the door.

“I’ve heard so. Well, we’ll leave that question just now. Why am I a scandal-monger? Why did she call me a scandal-monger? And mind, _after_ she had heard every word I had to tell her, and had asked all sorts of questions besides--but such is the way of women. For _her_ sake I entered into relations with Rogojin--an interesting man! At _her_ request I arranged a personal interview between herself and Nastasia Philipovna. Could she have been angry because I hinted that she was enjoying Nastasia Philipovna’s ‘leavings’? Why, I have been impressing it upon her all this while for her own good. Two letters have I written her in that strain, and I began straight off today about its being humiliating for her. Besides, the word ‘leavings’ is not my invention. At all events, they all used it at Gania’s, and she used it herself. So why am I a scandal-monger? I see--I see you are tremendously amused, at this moment! Probably you are laughing at me and fitting those silly lines to my case--

So he walked back looking about him for the shop, and his heart beat with intolerable impatience. Ah! here was the very shop, and there was the article marked “60 cop.” Of course, it’s sixty copecks, he thought, and certainly worth no more. This idea amused him and he laughed.
The prince frowned for a moment in silence, and then said suddenly:
He wished to add that he was unworthy of being asked for forgiveness by her, but paused. Perhaps he did understand Aglaya’s sentence about “absurdity which meant nothing,” and like the strange fellow that he was, rejoiced in the words.
“It is plain to me, that _you_ are not in it at all,” he continued, at last, a little less vaguely, “but perhaps you had better not come to our house for a little while. I ask you in the friendliest manner, mind; just till the wind changes again. As for Evgenie Pavlovitch,” he continued with some excitement, “the whole thing is a calumny, a dirty calumny. It is simply a plot, an intrigue, to upset our plans and to stir up a quarrel. You see, prince, I’ll tell you privately, Evgenie and ourselves have not said a word yet, we have no formal understanding, we are in no way bound on either side, but the word may be said very soon, don’t you see, _very_ soon, and all this is most injurious, and is meant to be so. Why? I’m sure I can’t tell you. She’s an extraordinary woman, you see, an eccentric woman; I tell you I am so frightened of that woman that I can’t sleep. What a carriage that was, and where did it come from, eh? I declare, I was base enough to suspect Evgenie at first; but it seems certain that that cannot be the case, and if so, why is she interfering here? That’s the riddle, what does she want? Is it to keep Evgenie to herself? But, my dear fellow, I swear to you, I swear he doesn’t even _know_ her, and as for those bills, why, the whole thing is an invention! And the familiarity of the woman! It’s quite clear we must treat the impudent creature’s attempt with disdain, and redouble our courtesy towards Evgenie. I told my wife so.

“Quite likely, though I bought it here. Gania, give the prince some paper. Here are pens and paper; now then, take this table. What’s this?” the general continued to Gania, who had that moment taken a large photograph out of his portfolio, and shown it to his senior. “Halloa! Nastasia Philipovna! Did she send it you herself? Herself?” he inquired, with much curiosity and great animation.

“Oh, dear!” cried the prince, confused, trying to hurry his words out, and growing more and more eager every moment: “I’ve gone and said another stupid thing. I don’t know what to say. I--I didn’t mean that, you know--I--I--he really was such a splendid man, wasn’t he?”
She had almost reached the door when she turned round again.
Evgenie called upon the prince the day after that on which the Epanchins left Pavlofsk. He knew of all the current rumours,--in fact, he had probably contributed to them himself. The prince was delighted to see him, and immediately began to speak of the Epanchins;--which simple and straightforward opening quite took Evgenie’s fancy, so that he melted at once, and plunged in medias res without ceremony.

The heavy curtain was drawn now, and it was very dark. The bright Petersburg summer nights were already beginning to close in, and but for the full moon, it would have been difficult to distinguish anything in Rogojin’s dismal room, with the drawn blinds. They could just see one anothers faces, however, though not in detail. Rogojin’s face was white, as usual. His glittering eyes watched the prince with an intent stare.

“Of course I looked there,--of course I did! Very much so! I looked and scrambled about, and felt for it, and wouldn’t believe it was not there, and looked again and again. It is always so in such cases. One longs and expects to find a lost article; one sees it is not there, and the place is as bare as one’s palm; and yet one returns and looks again and again, fifteen or twenty times, likely enough!”
“Really, mother,” he had assured Nina Alexandrovna upstairs, “really you had better let him drink. He has not had a drop for three days; he must be suffering agonies--” The general now entered the room, threw the door wide open, and stood on the threshold trembling with indignation.

“Why? Nobody would ever challenge me to a duel!”

“Well, I’ll change it, right or wrong; I’ll say that you are not sceptical, but _jealous_. There! you are deadly jealous of Gania, over a certain proud damsel! Come!” Colia jumped up, with these words, and burst out laughing. He laughed as he had perhaps never laughed before, and still more when he saw the prince flushing up to his temples. He was delighted that the prince should be jealous about Aglaya. However, he stopped immediately on seeing that the other was really hurt, and the conversation continued, very earnestly, for an hour or more.
“Well, sir, I suppose you wanted to make me look ridiculous?”
“That is Lebedeff’s daughter--Vera Lukianovna.”

“What delightful writing materials you have here, such a lot of pencils and things, and what beautiful paper! It’s a charming room altogether. I know that picture, it’s a Swiss view. I’m sure the artist painted it from nature, and that I have seen the very place--”

“Quite so--quite so! But this is all mere nonsense. I came here to speak of something quite different, something very important, prince. And I have determined to come to you as to a man in whose sincerity and nobility of feeling I can trust like--like--are you surprised at my words, prince?”
“That I only _pitied_ her--and--and loved her no longer!”
This, then, was the society that the prince accepted at once as true coin, as pure gold without alloy.
“Why, there’s Zaleshoff here, too!” he muttered, gazing at the scene with a sort of triumphant but unpleasant smile. Then he suddenly turned to the prince: “Prince, I don’t know why I have taken a fancy to you; perhaps because I met you just when I did. But no, it can’t be that, for I met this fellow” (nodding at Lebedeff) “too, and I have not taken a fancy to him by any means. Come to see me, prince; we’ll take off those gaiters of yours and dress you up in a smart fur coat, the best we can buy. You shall have a dress coat, best quality, white waistcoat, anything you like, and your pocket shall be full of money. Come, and you shall go with me to Nastasia Philipovna’s. Now then will you come or no?”
“In the first place, it is not for you to address me as ‘sir,’ and, in the second place, I refuse to give you any explanation,” said Ivan Fedorovitch vehemently; and he rose without another word, and went and stood on the first step of the flight that led from the verandah to the street, turning his back on the company. He was indignant with Lizabetha Prokofievna, who did not think of moving even now.
They were evidently on quite familiar terms. In Moscow they had had many occasions of meeting; indeed, some few of those meetings were but too vividly impressed upon their memories. They had not met now, however, for three months.

Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the ikon in the corner, and left the room.

A pool of blood on the steps near his head gave rise to grave fears. Was it a case of accident, or had there been a crime? It was, however, soon recognized as a case of epilepsy, and identification and proper measures for restoration followed one another, owing to a fortunate circumstance. Colia Ivolgin had come back to his hotel about seven o’clock, owing to a sudden impulse which made him refuse to dine at the Epanchins’, and, finding a note from the prince awaiting him, had sped away to the latter’s address. Arrived there, he ordered a cup of tea and sat sipping it in the coffee-room. While there he heard excited whispers of someone just found at the bottom of the stairs in a fit; upon which he had hurried to the spot, with a presentiment of evil, and at once recognized the prince.

“When I told them what a shame it was of the parson to talk as he had done, and explained my reason, they were so angry that some of them went and broke his windows with stones. Of course I stopped them, for that was not right, but all the village heard of it, and how I caught it for spoiling the children! Everyone discovered now that the little ones had taken to being fond of Marie, and their parents were terribly alarmed; but Marie was so happy. The children were forbidden to meet her; but they used to run out of the village to the herd and take her food and things; and sometimes just ran off there and kissed her, and said, ‘_Je vous aime, Marie!_’ and then trotted back again. They imagined that I was in love with Marie, and this was the only point on which I did not undeceive them, for they got such enjoyment out of it. And what delicacy and tenderness they showed!

She put her questions very quickly and talked fast, every now and then forgetting what she had begun to say, and not finishing her sentence. She seemed to be impatient to warn the prince about something or other. She was in a state of unusual excitement, and though she put on a brave and even defiant air, she seemed to be rather alarmed. She was dressed very simply, but this suited her well. She continually trembled and blushed, and she sat on the very edge of the seat.
“And what can I do for you, esteemed prince? Since I am told you sent for me just now,” he said, after a few moments’ silence.
Hardly had the prince uttered the last word when Gania gave such a fearful shudder that the prince almost cried out.
“‘Oh, don’t mind me,’ I said. ‘Dr. B---- saw me last week’ (I lugged him in again), ‘and my hash is quite settled; pardon me--’ I took hold of the door-handle again. I was on the point of opening the door and leaving my grateful but confused medical friend to himself and his shame, when my damnable cough got hold of me again.
“In my opinion the conversation has been a painful one throughout, and we ought never to have begun it,” said Alexandra. “We were all going for a walk--”
“Laugh away! She said exactly the same, almost word for word, when she saw my father’s portrait. It’s remarkable how entirely you and she are at one now-a-days.”

At this moment Gania and Ptitsin entered the room together, and Nina Alexandrovna immediately became silent again. The prince remained seated next to her, but Varia moved to the other end of the room; the portrait of Nastasia Philipovna remained lying as before on the work-table. Gania observed it there, and with a frown of annoyance snatched it up and threw it across to his writing-table, which stood at the other end of the room.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“But if I beg you to make it up?” said Varia.
Poor Colia cried himself, and kissed the old man’s hands
Keller also advised, in anticipation of the crowd making a rush after the ceremony, that a fire-hose should be placed at the entrance to the house; but Lebedeff was opposed to this measure, which he said might result in the place being pulled down.
“Yes, he is a rogue, but I was obliged to pay him,” said the young man. “As to his being a rogue, he is assuredly that, and I am not saying it because he beat you. He is an ex-lieutenant, prince, dismissed from the service, a teacher of boxing, and one of Rogojin’s followers. They are all lounging about the pavements now that Rogojin has turned them off. Of course, the worst of it is that, knowing he was a rascal, and a card-sharper, I none the less played palki with him, and risked my last rouble. To tell the truth, I thought to myself, ‘If I lose, I will go to my uncle, and I am sure he will not refuse to help me.’ Now that was base--cowardly and base!”
“So I will,” he whispered hoarsely. “As soon as I get home I will go to bed at once; and I know I shall be dead in a fortnight; Botkine told me so himself last week. That is why I should like to say a few farewell words, if you will let me.”
“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”

But Gania first conducted the prince to the family apartments. These consisted of a “salon,” which became the dining-room when required; a drawing-room, which was only a drawing-room in the morning, and became Gania’s study in the evening, and his bedroom at night; and lastly Nina Alexandrovna’s and Varvara’s bedroom, a small, close chamber which they shared together.