Lizabetha Prokofievna placed a chair for him with her own hands.

“What--shame you? I?--what do you mean, you young calf? I shame you? I can only do you honour, sir; I cannot shame you.”

But, of late, Totski had observed many strange and original features and characteristics in Nastasia, which he had neither known nor reckoned upon in former times, and some of these fascinated him, even now, in spite of the fact that all his old calculations with regard to her were long ago cast to the winds. The prince watched the whole scene, silent and dejected. Gania glanced inquiringly at the speaker.

“One thing I may tell you, for certain,” concluded Ptitsin, addressing the prince, “that there is no question about the authenticity of this matter. Anything that Salaskin writes you as regards your unquestionable right to this inheritance, you may look upon as so much money in your pocket. I congratulate you, prince; you may receive a million and a half of roubles, perhaps more; I don’t know. All I _do_ know is that Paparchin was a very rich merchant indeed.”

“Aha! do--by all means! if you tan my hide you won’t turn me away from your society. You’ll bind me to you, with your lash, for ever. Ha, ha! here we are at the station, though.”

Gania stood at the door like a block and looked on in silence, putting no obstacle in the way of their entrance, and ten or a dozen men marched in behind Parfen Rogojin. They were a decidedly mixed-looking collection, and some of them came in in their furs and caps. None of them were quite drunk, but all appeared to be considerably excited.

“Why, what an idiot it is!” cried Nastasia, stamping her foot with irritation. “Go on, do! Whom are you going to announce?”

“How did you come here?” she asked, at last.

“Oh, that’s not in _my_ province! I believe she receives at any time; it depends upon the visitors. The dressmaker goes in at eleven. Gavrila Ardalionovitch is allowed much earlier than other people, too; he is even admitted to early lunch now and then.”

“The Emperor was much struck.”

Poor Colia cried himself, and kissed the old man’s hands

“You should pass us by and forgive us our happiness,” said the prince in a low voice.
“Let’s go and hear the band, then,” said Lizabetha Prokofievna, angrily rising from her place.
“About the hedgehog.”
“Ardalion Alexandrovitch,” she cried after him, “wait a moment, we are all sinners! When you feel that your conscience reproaches you a little less, come over to me and we’ll have a talk about the past! I dare say I am fifty times more of a sinner than you are! And now go, go, good-bye, you had better not stay here!” she added, in alarm, as he turned as though to come back.
“Oh, if you put it in that way,” cried the general, excitedly, “I’m ready to tell the whole story of my life, but I must confess that I prepared a little story in anticipation of my turn.”
“Who knows? Perhaps she is not so mad after all,” said Rogojin, softly, as though thinking aloud.
He looked at his listeners again with that same serious, searching expression.
“I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”
“No, no! I cannot allow this,--this is a little too much,” cried Lizabetha Prokofievna, exploding with rage, and she rose from her seat and followed Aglaya out of the room as quickly as she could.

“Just tell me,” said the prince in reply, “may I count still on your assistance? Or shall I go on alone to see Nastasia Philipovna?”

“Prince,” he said, with feeling, “I was a blackguard. Forgive me!” His face gave evidence of suffering. The prince was considerably amazed, and did not reply at once. “Oh, come, forgive me, forgive me!” Gania insisted, rather impatiently. “If you like, I’ll kiss your hand. There!”
“I do not ask you what your business may be, all I have to do is to announce you; and unless the secretary comes in here I cannot do that.” “I don’t think they often kill each other at duels.” “Are you Prince Muishkin?” he asked, with the greatest courtesy and amiability.

“How?” he said. “What do you mean? I was half joking, and you took me up quite seriously! Why do you ask me whether I believe in God?”

Hippolyte turned upon him, a prey to maniacal rage, which set all the muscles of his face quivering.
“It will be well,” she said, “if you put an end to this affair yourself _at once_: but you must allow us to be your witnesses. They want to throw mud at you, prince, and you must be triumphantly vindicated. I give you joy beforehand!”
“By all means! I assure you I am delighted--you need not have entered into all these explanations. As for your remarks about friendship with me--thanks, very much indeed. You must excuse my being a little absent this evening. Do you know, I cannot somehow be attentive to anything just now?”
The prince took a chair.
There was a general stir in the room.
“It’s--it’s really--now could you have imagined anything like it, Lef Nicolaievitch?” cried the general. He was evidently so much agitated that he hardly knew what he wished to say. “Seriously now, seriously I mean--”
“Halloa! what’s this now?” laughed Rogojin. “You come along with me, old fellow! You shall have as much to drink as you like.”

None of the band were very drunk, for the leader had kept his intended visit to Nastasia in view all day, and had done his best to prevent his followers from drinking too much. He was sober himself, but the excitement of this chaotic day--the strangest day of his life--had affected him so that he was in a dazed, wild condition, which almost resembled drunkenness.

“We have been silent on this subject for three weeks,” said his mother, “and it was better so; and now I will only ask you one question. How can she give her consent and make you a present of her portrait when you do not love her? How can such a--such a--”
As he went out of the prince’s room, he collided with yet another visitor coming in. Ferdishenko took the opportunity of making several warning gestures to the prince from behind the new arrival’s back, and left the room in conscious pride. “What do you mean?” asked the visitor. “But mind, nobody is to see!” cried the delighted Gania “And of course I may rely on your word of honour, eh?” “‘Nurse, where is your tomb?’

“Well, I’ll change it, right or wrong; I’ll say that you are not sceptical, but _jealous_. There! you are deadly jealous of Gania, over a certain proud damsel! Come!” Colia jumped up, with these words, and burst out laughing. He laughed as he had perhaps never laughed before, and still more when he saw the prince flushing up to his temples. He was delighted that the prince should be jealous about Aglaya. However, he stopped immediately on seeing that the other was really hurt, and the conversation continued, very earnestly, for an hour or more.

“Nicolai Ardalionovitch...”
“I shall certainly go mad, if I stay here!” cried Lizabetha Prokofievna.
He longed to get up and go to her at once--but he _could not_. At length, almost in despair, he unfolded the letters, and began to read them.
“Oh, I didn’t mean in this room! I know I can’t smoke here, of course. I’d adjourn to some other room, wherever you like to show me to. You see, I’m used to smoking a good deal, and now I haven’t had a puff for three hours; however, just as you like.”

At last they left the house behind them, the prince carrying his bundle.

She went on her knees before him--there in the open road--like a madwoman. He retreated a step, but she caught his hand and kissed it, and, just as in his dream, the tears were sparkling on her long, beautiful lashes.

“And won’t you be ashamed when they tell you, afterwards, that your wife lived at Totski’s expense so many years?”

Evgenie Pavlovitch was silent, but Hippolyte kept his eyes fixed upon him, waiting impatiently for more.
The prince rose to go, but the general once more laid his hand in a friendly manner on his shoulder, and dragged him down on to the sofa.

He rose late, and immediately upon waking remembered all about the previous evening; he also remembered, though not quite so clearly, how, half an hour after his fit, he had been carried home.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

All this was suspicious and unsatisfactory. Very likely the porter had received new instructions during the interval of the prince’s absence; his manner was so different now. He had been obliging--now he was as obstinate and silent as a mule. However, the prince decided to call again in a couple of hours, and after that to watch the house, in case of need. His hope was that he might yet find Nastasia at the address which he had just received. To that address he now set off at full speed.

In point of fact, he did attach marvellously little importance to the approaching event. He was occupied with altogether different thoughts. Aglaya was growing hourly more capricious and gloomy, and this distressed him. When they told him that Evgenie Pavlovitch was expected, he evinced great delight, and said that he had long wished to see him--and somehow these words did not please anyone.